Elysia xpressor neo
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The essentials to know about the elysia xpressor NEO stereo compressor
The essentials to know about the elysia xpressor NEO stereo compressor
- Class A stereo VCA compression for recording, mixing and mastering, with a clear sound, powerful low end and punchy transients.
- Redesigned circuitry compared to the original xpressor for greater depth, transparency and precision in stereo image reproduction.
- Versatile dynamic control thanks to the Auto Fast and Log Release functions, sidechain filter and gain reduction limiter.
- Two sonic approaches and direct blend control: transparent discrete circuitry, the warmer character of Warm mode and integrated parallel compression.
Manufacturer Information
Elysia
https://www.elysia.com
info@elysia.com
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Safety manager:
elysia GmbH
Email: info@elysia.com
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From the original xpressor to a more refined NEO generation
Introduced in 2010, the xpressor found its way into many studios thanks to its modern approach to compression. With the xpressor NEO, elysia retains the features that made it so appealing while reworking the circuit to refine the sound reproduction. This evolution delivers greater depth, a wider stereo image and a better-defined phantom centre.
The NEO therefore comes closer to the purist philosophy of the alpha compressor, the brand's flagship compressor, without giving up its own versatility. The front panel has also evolved: a less reflective surface, laser-engraved parameters, revised gain reduction display values and adjusted knob finishing. The bevelled edges are now positioned along the sides of the front panel.
A studio compressor for tracks, buses and mastering
The elysia xpressor NEO is designed for sound engineers, producers and musicians who want precise control over dynamics. On an individual track, it can contain peaks or enhance density. On a subgroup or a complete mix, it helps bind the elements together while preserving detailed high-frequency reproduction and a solid low-end foundation.
Its RMS detection and soft knee curve promote a gradual onset of compression. The various release options and parallel mixing then let you adapt the processing: subtle on a stereo bus, more assertive on percussion or deliberately pronounced for a creative effect.
Technical specifications
| Category | compressor | Analog outputs | jack, XLR |
| Number of channels | 2 | Color | Black |
| Rack unit | 1 | ||
| Type | Class A stereo VCA compressor. | Parallel compression | integrated blend of the direct and compressed signals. |
| Applications | recording, mixing and mastering. | External sidechain inputs and outputs | only available on the 19-inch rack version. |
| Detection | RMS. | THD+N at 0 dBu, from 20 Hz to 22 kHz, mix at 0% | 0.003%. |
| Compression curve | soft knee for a progressive control response. | THD+N at 0 dBu, from 20 Hz to 22 kHz, mix at 100% | 0.007%. |
| Sound reproduction | clear and open sound, with fast and punchy transients. | THD+N at +10 dBu, from 20 Hz to 22 kHz, mix at 0% | 0.003%. |
| Low end | powerful energy. | THD+N at +10 dBu, from 20 Hz to 22 kHz, mix at 100% | 0.02%. |
| High end | detailed reproduction. | Noise level, from 20 Hz to 20 kHz, A-weighted | -91 dBu. |
| Stereo image | wide and deep three-dimensional soundstage. | Dynamic range, from 20 Hz to 22 kHz | 112 dB. |
| Auto Fast | adapts the attack to short, strong impulses. | Maximum input level | +21 dBu. |
| Release | logarithmic and linear curves. | Maximum output level | +21 dBu. |
| Warm mode | limits the slew rate of the output stages for a second sonic signature. | Input impedance | 10 kilohms. |
| Sidechain filter | low-cut filter with selectable frequency. | Output impedance | 68 ohms. |
| GR Limit | limits gain reduction in the control path. | ||



